Bill Dixon - Quotes

There are 18 quotes by Bill Dixon at 95quotes.com. Find your favorite quotations and top quotes by Bill Dixon from this hand-picked collection about music. Feel free to share these quotes and sayings on Facebook, Pinterest, Tumblr & Twitter or any of your favorite social networking sites.

I think people who sample are cheating. It is like people who do collages. Use all of your own stuff.

I think people who sample are cheating. It is like people who do collages. Use all of your own stuff.

I do not, as a rule, do encores. When I have finished playing, I have indeed finished playing. I have nothing left; there has been no reserve. ---->>>

I have been using delay and reverberation since the middle 1960s. I use them to make what is almost inaudible to the ear, audible. I do not use them to play loudly but to make the higher harmonics heard. ---->>>

Whatever I do, I attempt to do it fully. I try, and don't always succeed, to be thorough. There are musicians who do not know their worth, and if they knew it at one time, it has eluded them. I know my worth. You try not to dwell in the past. ---->>>

While everyone has a right to his or her opinion, the people who are informed have more of a right. ---->>>

I have been going to Italy since 1980, but I always went to do work. I did not live overseas, because I do not like running around with everything I own in a paper bag. ---->>>

Whether I get adequate attention or not, people here do know the work I have been doing systematically and without compromise for over 40 years. I get tired of people making excuses for guys who don't continue the art because they can't make a living. ---->>>

If I had money, I would like to get an old building, have music performances, do lithographs, have shows of paintings, and do those things that I'm interested in doing. ---->>>

When Coltrane died, a void appeared in this music that has not been filled yet. He maintained a forward motion in his work and did not look back. ---->>>

Rock musicians, and a vast array of popular-music musicians, due to their wealth, acquired through the mass of their notoriety, are able to be listened to and heard and thus are able to effect change on an international level. ---->>>

If you are you, 24 hours a day, then you do not have to remember who you are supposed to be in different situations - something that I imagine could be troublesome. ---->>>

In the middle 1940s... I heard everyone live. Painting, the theater; everything was happening. It was an exciting time when New York was the place to be. ---->>>

Most of my recorded material has been in small group configurations. I have not released large orchestral works as recordings because it hasn't been within the realm of possibility. ---->>>

The magic of playing has to do with how much everyone wants it to succeed. If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won't succeed even if one of the musicians takes control. ---->>>

I have no distributor... it is indicative to me that there are these pockets of players and collectors all over. You should see the correspondence I get from over the world letting me know how significant they think I am. I know that wherever I go, I am well received. ---->>>

If I produce it, I will stage it as a performance. A small audience will be invited; rehearsals of the sections will be done in the mornings, and those sections will be recorded in the afternoons. ---->>>

Interested listeners have only to hear the recording to find out if those guys, who go to such pains to undervalue my work, are right. All people have to do is listen to realize it is a beautiful record. ---->>>

My career has been different from most people, but I knew what I was not going to do. I knew I was not going to be controlled. I knew there was a price for this, but I did not know there was as large a price as it turned out to be. ---->>>

Biography

Nationality: American
Born: 10-05, 1925
Birthplace:
Die: 2010-06-16
Occupation: Musician
Website:

Bill Dixon (October 5, 1925 – June 16, 2010) was an American musician, composer, visual artist, and educator. Dixon was one of the seminal figures in the free jazz movement. He played the trumpet, flugelhorn, and piano, often using electronic delay and reverberation as part of his trumpet playing.(wikipedia)