Maya Lin - Quotes

There are 54 quotes by Maya Lin at 95quotes.com. Find your favorite quotations and top quotes by Maya Lin from this hand-picked collection about time, art, war. Feel free to share these quotes and sayings on Facebook, Pinterest, Tumblr & Twitter or any of your favorite social networking sites.

To me, the American Dream is being able to follow your own personal calling. To be able to do what you want to do is incredible freedom.

To me, the American Dream is being able to follow your own personal calling. To be able to do what you want to do is incredible freedom.

I try to give people a different way of looking at their surroundings. That's art to me.

I try to give people a different way of looking at their surroundings. That's art to me.

I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.

I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.

To fly we have to have resistance. ---->>>

When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.

When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.

I went through withdrawal when I got out of graduate school. It's what you learn, what you think. That's all that counts.

I went through withdrawal when I got out of graduate school. It's what you learn, what you think. That's all that counts.

My goal is to strip things down so that you need just the right amount of words or shape to convey what you need to convey. I like editing. I like it very tight. ---->>>

Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.

Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.

It's only in hindsight that you realize what indeed your childhood was really like. ---->>>

The definition of a modern approach to war is the acknowledgement of individual lives lost. ---->>>

The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical.

The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical.

I had very few friends. We always ate dinner with our parents. We didn't want to go out. American adolescence was a lot wilder than I would have felt comfortable with. ---->>>

I probably have fundamentally antisocial tendencies. I never took one extracurricular activity. I just failed utterly at that level. Part of me still rebels against that. ---->>>

I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere. ---->>>

I was probably the first kid in my high school to go to Yale. I applied almost as a lark. Then, when I got there, I was the dumbest person in your class. ---->>>

I loved school. I studied like crazy. I was a Class A nerd. ---->>>

In art or architecture your project is only done when you say it's done. If you want to rip it apart at the eleventh hour and start all over again, you never finish. I was one of those crazy creatures. ---->>>

It was a requirement by the veterans to list the 57,000 names. We're reaching a time that we'll acknowledge the individual in a war on a national level.

It was a requirement by the veterans to list the 57,000 names. We're reaching a time that we'll acknowledge the individual in a war on a national level.

I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.

I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.

Growing up, I thought I was white. It didn't occur to me I was Asian-American until I was studying abroad in Denmark and there was a little bit of prejudice. ---->>>

It's funny, as you live through something you're not aware of it. ---->>>

Math, it's a puzzle to me. I love figuring out puzzles. ---->>>

I loved logic, math, computer programming. I loved systems and logic approaches. And so I just figured architecture is this perfect combination. ---->>>

A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time. ---->>>

Nothing is ever guaranteed, and all that came before doesn't predicate what you might do next. ---->>>

Warmth isn't what minimalists are thought to have. ---->>>

All my work is much more peaceful than I am. ---->>>

Every memorial in its time has a different goal. ---->>>

How we are using up our home, how we are living and polluting the planet is frightening. It was evident when I was a child. It's more evident now. ---->>>

I was always making things. Even though art was what I did every day, it didn't even occur to me that I would be an artist. ---->>>

Sometimes you have to stop thinking. Sometimes you shut down completely. I think that's true in any creative field. ---->>>

The only thing that mattered was what you were to do in life, and it wasn't about money. It was about teaching, or learning. ---->>>

You have to have conviction and completely question everything and anything you do. No matter how much you study, no matter how much you know, the side of your brain that has the smarts won't necessarily help you in making art. ---->>>

Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture. ---->>>

For the most part things never get built the way they were drawn. ---->>>

I didn't have anyone to play with so I made up my own world. ---->>>

If we can't face death, we'll never overcome it. You have to look it straight in the eye. Then you can turn around and walk back out into the light. ---->>>

It terrified me to have an idea that was solely mine to be no longer a part of my mind, but totally public. ---->>>

My parents are both college professors, and it made me want to question authority, standards and traditions. ---->>>

Our parents decided not to teach us Chinese. It was an era when they felt we would be better off if we didn't have that complication. ---->>>

Some artists want to confront. Some want to invoke thought. They're all necessary and they're all valid. ---->>>

The role of art in society differs for every artist. ---->>>

You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it. ---->>>

We were unusually brought up; there was no gender differentiation. I was never thought of as any less than my brother. ---->>>

You should be having more fun in high school, exploring things because you want to explore them and learning because you love learning-not worrying about competition.

You should be having more fun in high school, exploring things because you want to explore them and learning because you love learning-not worrying about competition.

I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character. ---->>>

OK, it was black, it was below grade, I was female, Asian American, young, too young to have served. Yet I think none of the opposition in that sense hurt me. ---->>>

I'm not in a hurry to do a lot of projects. I am very resolved in each project I take on. ---->>>

I really enjoyed hanging out with some of the teachers. This one chemistry teacher, she liked hanging out. I liked making explosives. We would stay after school and blow things up.

I really enjoyed hanging out with some of the teachers. This one chemistry teacher, she liked hanging out. I liked making explosives. We would stay after school and blow things up.

My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground. ---->>>

When I was very little, we would get letters from China, in Chinese, and they' be censored. We were a very insular little family. ---->>>

You couldn't put me in a social group setting. I'm probably a terrible anarchist deep down. ---->>>

My grandfather, on my father's side, helped to draft one of the first constitutions of China. He was a fairly well-known scholar. ---->>>

Some of your teachers are actually closer in age to you than you think. ---->>>

Biography

Maya Lin profile (maya-lin.jpg)
Name: Maya Lin
Nationality: American
Born: 10-05, 1959
Birthplace: Athens, Ohio, U.S.
Die:
Occupation: Architect

Maya Ying Lin (born October 5, 1959) is an American designer and artist who is known for her work in sculpture and land art. She achieved national recognition at the age of 21 while still an undergraduate at Yale University when her design was chosen in a national competition for the Vietnam Veterans Memorial in Washington, D (wikipedia)